Lifeboat Foundation

At the launch of its latest Autopilot features, Tesla CEO Elon Musk noted that it would roll out the new vehicle capabilities to nations outside the United States once it got regulatory approval. Today Musk tweeted that the company has gotten approval from all those countries (except Japan). Now Tesla owners around the world can enjoy the slightly unnerving feeling of letting their Model S drive itself on the highway. Musk also announced that Autopilot 1.01 would be coming soon with improved fleet learning, better lane tracking on poor roads, curved speed adoption and controller smoothness.

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You might not be able to control the 7Bot robotic arm with your mind or your eyes, but at least it’ll only cost you around $350 — cheaper than an iPhone, its creators point out — to get one. Even better, you don’t need to know how to code to program it: just physically guide the arm or use a gesture control device like a Kinect or a Leap motion sensor to make it mimic your movements. In the video below the fold and on its Kickstarter page, you can see it doing calligraphy after a team member’s grandfather physically taught it how. The team also managed make it paint cherry blossoms and do basic mathematics, and we’ll bet you can teach it other productive things, like how to terrorize your cat.

If you prefer the more hands-off approach, you can remotely control it using its 3D visualization app on a computer. And, in case you’re more tech-savvy than the average user, you can program it using the C and C++ open source APIs the 7Bot team provides. In addition to the basic model, the team also offers packages with more features, such as a version with two arms and one that comes with a 3D printer, though they’re also understandably more expensive. According to its campaign page, rewards should start shipping out as soon as January 2016, but as always, it’s best not to treat Kickstarter and other crowdfunding websites as a store.

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In the television series Star Trek, virtual reality-chambers called “holodecks” take humans into computer-generated worlds where they interact with avatars — and with each other. Imagine being able to visit a distant planet or Tahiti during your lunch break. In Star Trek, holodecks come into existence in the 24th century and reproduce all sensory perceptions, including touch and smell.

Chambers that replicate the touch and feel of solid materials are still a decade or two away. But virtual reality worlds that are amazingly similar to what we saw in Star Trek are already here. Hundreds of companies are working on virtual reality hardware, software, applications and content. I expect that 2016 will be the year when we start visiting exotic lands from the comfort of our offices and living rooms.

There are several technology developments which are bringing the future to us ahead of the Star Trek schedule. For starters, there is what is called “full-immersion virtual reality.” These are systems that take us out of the real world, into an entirely different digital realm. We hear stereo sounds and see panoramic displays that are so convincing that users lose track of time and space (they also, until very recently, suffered from serious nausea and motion sickness). Facebook’s Oculus Rift is the leading immersive virtual reality (VR) system but numerous others are either on the market or in the works.

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As of this month, over 4,000 Americans are on the waiting list to receive a heart transplant. With failing hearts, these patients have no other options; heart tissue, unlike other parts of the body, is unable to heal itself once it is damaged. Fortunately, recent work by a group at Carnegie Mellon could one day lead to a world in which transplants are no longer necessary to repair damaged organs.

“We’ve been able to take MRI images of coronary arteries and 3-D images of embryonic hearts and 3-D bioprint them with unprecedented resolution and quality out of very soft materials like collagens, alginates and fibrins,” said Adam Feinberg, an associate professor of Materials Science and Engineering and Biomedical Engineering at Carnegie Mellon University. Feinberg leads the Regenerative Biomaterials and Therapeutics Group, and the group’s study was published in the October 23 issue of the journal Science Advances. A demonstration of the technology can be seen below.

“As excellently demonstrated by Professor Feinberg’s work in bioprinting, our CMU researchers continue to develop novel solutions like this for problems that can have a transformational effect on society,” said Jim Garrett, Dean of Carnegie Mellon’s College of Engineering. “We should expect to see 3-D bioprinting continue to grow as an important tool for a large number of medical applications.”

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Oct. 21, 2015, was the day that Doc Brown and Marty McFly landed in the future in their DeLorean, with time travel made possible by a “flux capacitor.”

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New cybersecurity arms treaty compared unfavourably with nuclear treaties:

“In the Cold War and still today, nuclear arms remain in the hands of states, meaning they can usually be counted and their movements observed. Cyberweapons, too, are often developed by countries … but they can also be found in the hands of criminal groups and teenagers, neither of which negotiate treaties.”

The countries are discussing what could be the first arms control accord for cyberspace, and an agreement could be announced as soon as Thursday, according to officials.

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But we could still have one weakness.

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“Technology is finally catching up with Landmark Entertainment Group’s big ideas. The global entertainment design firm announced Thursday that it is collaborating with Pavilion of Me to create a virtual reality experience called the Virtual World’s Fair that will launch in 2017.”

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Official video for PostHuman — produced by Colliculi Productions.
Animated sci-fi thriller short film featuring the voice of Tricia Helfer (Battlestar Galactica). Directed by Cole Drumb. Produced by Jennifer Wai-Yin Luk.

Production company: Colliculi Productions.
Animation studio: Humouring The Fates.
Voice of Kali: Tricia Helfer.
Voice of Terrence: Ulric Dihle.
Original Music: Neill Sanford Livingston.
Post Production Sound: Kid Dropper Sound.
Final Post Production Sound: Bad Animals.
Final Video Post Production: Lightpress.

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